This week's big fiction release is the latest translated into English from Nobel Prize winner Olga Tokarczuk. House of Day, House of Night is a collection of loosely connected portraits of people who live in a land, a Polish border region, showing the strain of humanity's cruelty.
Those portrayed are often missing something or carrying something extra. One knows there is a large bird living inside him that struggles to be free. Another hears a man's voice in her dreams and is determined to find him in real life. Other characters have dreams as well. A young girl in a convent wants to stay virginal and dreams of growing a beard. A monk dreams of becoming a woman.
Dreams fuel characters' lives. Sometimes it's worse when those dreams come true.
These stories are portraits of the inner lives of a people accustomed to living in a weary land. These are not stories of giving up. They are chronicles of carrying on, of enduring.
The translation by Antonia Lloyd-Jones is vibrant and brings out the layers in Tokarczuk's descriptions.
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A few other releases this week, with links to The Literate Lizard and descriptions from the publishers. As always, find something that speaks to you. Reading feeds the soul. Yours deserves a feast.
A young mother in financial trouble tries to steal a pair of underwear in front of the watchful eyes of her young daughter. A man fresh out of prison struggles to reintegrate into a daunting society and become a better father to his son. Three siblings run away and seek refuge in a remote cabin untouched by time in a desperate bid to keep their family from being torn apart. In these powerful and emotionally charged tales, Rishøi delves into the complexities of family, poverty, and forgiveness, exploring the human desire for a better life, the longing for change, and the difficult choices we must sometimes make to protect those we love.
It’s been raining for a long time now, so long that the land has reshaped itself and arcane rituals and religions are creeping back into practice. Sisters Isla, Irene, and Agnes have not spoken in some time when their father dies. An architect as cruel as he was revered, his death offers an opportunity for the sisters to come together in a new way. In the grand glass house they grew up in, their father’s most famous creation, the sisters sort through the secrets and memories he left behind, until their fragile bond is shattered by a revelation in his will.
More estranged than ever, the sisters’ lives spin out of control: Irene’s relationship is straining at the seams; Isla’s ex-wife keeps calling; and cynical Agnes is falling in love for the first time. But something even more sinister might be unfolding, something related to their mother’s long-ago disappearance and the strangers who have always seemed unusually interested in the sisters’ lives. Soon, it becomes clear that the sisters have been chosen for a very particular purpose, one with shattering implications for their family and their imperiled world.
Aleys is sixteen years old and unusual: stubborn, bright, and prone to religious visions. She and her only friend, Finn, a young scholar, have been learning Latin together in secret—but just as she thinks their connection might become something more, everything unravels. When her father promises her in marriage to a merchant she doesn’t love, she runs away from home, finding shelter among the beguines, a fiercely independent community of religious women who refuse to answer to the Church.
Among these hardworking and strong-willed women, Aleys glimpses for the first time the joys of belonging: a life of song, meaning, and friendship in the markets and along the canals of Bruges. But forces both mystical and political are at work. Illegal translations of scripture, the women’s independence, and a sudden rash of miracles all draw the attention of an ambitious bishop—and bring Aleys and those around her into ever-increasing danger, a danger that will push Aleys to a new understanding of love and sacrifice.
Woo Woo follows Sabine, a conceptual artist on the verge of a photo exhibition she hopes will be pivotal, as she plunges deeper into her neuroses and seeks validation in relationships—with her frustratingly rational chef husband, her horde of devoted Gen Z TikTok followers, and even a mysterious, potentially violent stalker.
Accompanying her throughout are Sabine’s strange alter egos, from hyperrealistic puppets of her as a baby to the ghost of conceptual artist Carolee Schneemann, who shows up with inscrutable yet sage life advice.
Nestled in an idyllic locale beside the sea, The Center is a place of rehabilitation and rebuilding. Students arrive nameless, their memories and sense of identity wiped by a strange illness.
Each day, they attend classes that will help them relearn the right ways to speak and live; they practice the roles they’ll assume once they’ve graduated and returned to society. In their free time, they negotiate a burgeoning social hierarchy and watch old DVDs together; stories of characters whose names they adopt: Maria, Chandler, Chino, Gunther . . . But as shards of memories—of pets, lovers, errands, and beloved music—begin to threaten the strict curriculum of The Center, some students start to question the definitions given to them, and explore the ways in which they might define themselves.
- Galapagos by Fátima Vélez, translated by Hannah Kauders
From NYC-based Colombian writer Fátima Vélez comes debut novel Galapagos, following a group of bohemian artists who are dying of AIDS as they embark on a surreal final voyage through the Galapagos Islands, their bodies cloaked in the skins of the dead.
Lorenzo is a painter who doesn’t paint. He spends his days watching Jeanne Moreau films, luxuriating in his partner Juan B’s bed, and swapping letters with his lovers. Then, one day, his nail falls off. Then another nail, then all of them. Thus begins a journey of decomposition that carries him from Colombia to Paris, from Paris to the French countryside, and on a final journey to the Galápagos Archipelago.
As they cruise the islands on a custom-made ship, Lorenzo and his friends and lovers drink, swap stories, and feast gluttonously, even as their bodies succumb to an unspeakable disease. In this contemporary plague novel, rife with pathos and humor, ailing bodies are torn between desire and decay, lust and friendship, creativity and destruction.
An American Booksellers Association's Indie Next Great Read (December 2025) The story of an Indigenous girl’s kidnapping during a colonial expedition intertwines with a young woman’s modern-day search for identity and ancestral truths.
In 1817, two German scientists traveled across Brazil and into the Amazon gathering flora and fauna to study and display in Europe. Among the collection they brought to the Bavarian court were two Indigenous children.
The children’s images became widespread, satisfying European curiosity about the distant land they came from. But little was known about the children themselves. Despite the scientists’ detailed records about many of the plant and animal specimens, they only noted the children’s tribes: the girl was a Miranha, and the boy, a Juri. After a few months, the children died in Germany, far from anyone who knew their names.
The annual international gathering of the best Fiction, Poetry, Essays and Memoirs from small independent literary presses, including more than 60 selections from 50 presses chosen with the advice of 160 distinguished Contribution Editors.
A novel about art, desire, and mortality, Casanova 20: Or, Hot World follows a young man isolated by his extraordinary beauty and his strange friendship with an older painter
Cursed by an extreme and unrelenting beauty, Adrian has drawn the frenzied attention of adoring strangers since childhood. As a twenty-nine-year-old in New York City, he spends his days drifting between affairs with women (and occasionally men) who provide him with everything he needs, from spending money to luxurious vacations to even, once, a mini yacht. With this generosity comes a dangerous possessiveness that often puts him at risk of much worse than heartbreak. But as people begin removing their masks in the spring of 2021, Adrian’s aimless sexual availability is interrupted by a shocking discovery: He is no longer beautiful.
Bojack Horseman meets Joan Didion in this smart, sly, and irresistibly stylish debut novel about a jaded movie star and the two differently conflicted women in his orbit.
An aging, A-list movie star lotteries off the entirety of his mega-million blockbuster salary to a member of the general viewing public before taking up with a much younger model. His non-famous best friend (and often lover) looks on impassively, while recollecting their twenty-odd years of unlikely connection. And an aspiring filmmaker, unknown to them both, labors over a script about best friends and lovers while longing for the financial freedom to make great art.
A novel about a man who returns home, only to find that home is now unrecognizable, by the Nobel laureate Peter Handke.
Gregor returns home from another continent. The landscape, formerly dotted with small villages, has been absorbed into the outskirts of a large city, both familiar and foreign at the same time. His father sits playing cards, waiting for him, but Gregor is surprised to find his sister holding an infant. He, the older brother, is to be the child’s godfather—though he also carries with him the secret of his younger brother’s death.
In the end, Gregor is never quite able to stay put. He is drawn out into the world, into the streets and alleys of what is now a city, to the cinema, the soccer stadium, the forest, and above all the old fruit orchard, now overgrown and beyond saving. As he walks, the present and the past become intertwined—memories of childhood surface, and inner voices enter into dialogue.
David Trent is an aspiring novelist in Cambridge, Massachusetts, trying to navigate his ambitions in a place that has writers around every corner.
He lives in an apartment above a Very Famous Author named Silas Hale who, beneath his celebrated image, is a bombastic, vindictive monster who refuses to allow his new neighbor even to make eye contact with him.
Until young David wins a prestigious award for his new book.
Suddenly Silas is interested—if intensely spiteful.
Following the car accident that ended his football career and left his body scarred, twenty-two-year-old Luke Griffin joins the cast of Endeavor, a new competition-based reality show that pits the tabloids’ darlings against one another in tasks of endurance and problem solving. At first, he thrives, effortlessly forming friendships and even a romantic relationship that he thinks will last a lifetime. But Luke has aspirations far bigger than the show's million-dollar prize, and soon a series of betrayals leads to irreversible tragedy, changing the course of his and his fellow contestants' lives forever.
Ten years later, Luke’s world looks very different: He is now a father of two and the stay-at-home husband to America’s only openly gay senator. When his husband's serial cheating is exposed, Luke impulsively joins the cast of Endeavor's latest season in a desperate bid to earn some fast cash. Back on set, he is confronted with everything he tried to leave in the past: bitter rivalries, shattered friendships, and crushing guilt, all of which threaten to tear down the walls he’s spent a decade building. As Season 20 of Endeavor kicks off, Luke must give everything to the game, even as he finally learns what it means––and what it costs––to face the truth.
On the outskirts of Lahore, Pakistan, a large yellow moon hung low in the sky when the men came with dogs and guns and cricket bats. In front of his family’s small hut on the edge of a looming brick kiln, Lalloo’s brother was murdered.
Unable to escape the memory of that horrible night, Lalloo’s parents and sisters remain trapped, the kiln chimney churning black smoke into the sky as the family slave, brick by brick, to pay off their debts. To rescue them, Lalloo must free himself from his past and carve out his own destiny.
A-list actor Peter Compton and producing partner Marci Levy exist in the rarefied air of Hollywood’s elite. Their status as a married power couple is unmatched, their presence in any room transformative and god-like. But as their private jet lands in Atlanta to begin production on a tentpole superhero movie, even their privileged position will come under threat by the massive pressures of such an undertaking.
Compton, a self-educated recovering addict, sees the role of Sparta comics superhero Major Machina as the opportunity to transcend his already stratospheric platform. As director Joel Slavkin, Oscar-winning DP Javier Benavidez, and a crew of hundreds arrive in Atlanta to begin shooting, it doesn’t take long for the production to be embroiled in the tension and egos that drive the film. But when video of Peter’s disastrous on-set behavior goes viral, Peter and Marci’s partnership will be challenged as it never has before. As the stakes grow ever higher, it may just take a superhero to save them.
A woman has an unexpected outburst at a corporate therapy session for working mothers. A couple find some long-overdue time to rekindle their relationship and make an ill-advised home movie. A pregnant film director plots revenge on the actress who betrayed her. An ex-wife deliberately causes conflict at her ex-husband’s wedding.
When a mute beggar from Maracaibo, Venezuela, takes in a newborn abandoned on the steps of a church, she has no idea of the extraordinary destiny that awaits the orphan. Raised in poverty, Antonio will be a cigarette seller, a porter on the docks, a servant in a brothel before becoming, thanks to his effusive energy, one of the most illustrious surgeons in his country.
An exceptional partner will inspire him. Ana Maria will distinguish herself as the first female doctor in the region. They will give birth to a daughter whom they will name after their own country: Venezuela. Connected to South America by her first name as much as by her origins, she only has eyes for Paris. But we never truly leave our own people. It is in the notebook of Cristóbal, the last link of their family, that the stories of this astonishing lineage will finally take shape.
In Darkmotherland, Nepali writer Samrat Upadhyay has created a novel of infinite embrace—filled with lovers and widows, dictators and dissidents, paupers, fundamentalists, and a genderqueer power player with her eyes on the throne—in an earthquake-ravaged dystopian reimagining of Nepal.
At its heart are two intertwining narratives: one of Kranti, a revolutionary’s daughter who marries into a plutocratic dynasty and becomes ensnared in the family’s politics. And then there is the tale of Darkmotherland’s new dictator and his mistress, Rozy, who undergoes radical body changes and grows into a figure of immense power.
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